My creative practice is memory work. I have a preoccupation with historical events that have shaped the lived experiences of Black folx throughout the Diaspora. My primary entry points into these histories are archives be it family photo albums, national/governments documents, and or museum papers. I mainly use time-based media (digital video and analog film, performance) to investigate the unique yet complex aspects that make Black Cultural Memory. What do we remember and what do we forget are questions that I often return to in my practice. My video work deviates from conventional modes of storytelling and instead prioritizes an experimental approach into the possibilities of formal and conceptual production. On a broad scale, I am interested in the implications of anti-Black racism globally. My work seeks to function as an intervention to what Bell Hooks called “white supremacist capitalist patriarchy.”
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